January 11th, 2011

undyedyarnpire: cartoon voodoo doll, looks like knitting needles stuck everywhere (Default)
 I was working on a giant post about grafting, but it has devolved into a list of links and rants about really annoying things in the world of knitting.

There are a lot of really annoying things in the world of knitting. These five are the ones making me crazy today.

Kitchener Stitch is a specific kind of grafting, only for stockinette. If you are grafting another texture, or not using a sewing needle, or any of other parameter change, it is just grafting. Plus Kitchener most likely did not really create it himself so his name is on it for mythical reasons. 

I dislike it when anything is named after a specific person in knitting. I appreciate when things are credited to their developers, but I find myself really annoyed by the phrase, "I used Judy's Magic Cast-On." 

I am outraged by the people who say that if you substitute yarns (or worse, yarn colors) or change textures or have to do your own math that you no longer have what was in the pattern. There gets to be a point where a project is merely inspired by a particular pattern, but most of us have to do our own adjustments.  If there is a pattern and you have only tweaked it, then you have used the pattern and should credit the originating source. If there is a designer who cannot let design elements go, if they only want people to use certain yarns and only for certain body shapes, then they need to sell completed garments or kits at the very least. 

Then there is the polar opposite of this, someone who created a pattern last week, making a hat in the round using stockinette and with a roll-brim, and Cascade 220, arguing that other people "stole her idea" even though they made their hats 5 years ago. We do not have to credit the obvious and if anyone should give credit it is the new knitter who did no searches of prior art before claiming originality. 

And finally, last on today's rants, I hate when truly profound techniques are distributed through quantity-limited media. Magazines without online-access archives (paid or not) are not the correct distribution method for a fundamental technique change. I find that I feel no interest in summarizing the various grafting techniques, even though I found something I have not seen anywhere else, because the one hidden in an out-of-print issue of IK (Interweave Knits) is supposed to be paradigm shifting. Right now, I do not care if it does change grafting throughout the entire knitting world, because that knowledge is lost to all but a select few.

undyedyarnpire: cartoon voodoo doll, looks like knitting needles stuck everywhere (Default)
 I bought rubber feet for my loom. I am hoping that I will resent it less when I do not have to be quite so careful how it is placed. I also received my copies of Hands On Rigid Heddle Weaving and The Weaver's Idea Book. This might help somewhat in terms of less struggling with the concepts of weaving and how those concepts affect technique.

I have also been considering whether I would prefer indirect warping. The direct warping is a pain in the head, back, rear, and feet. Plus the results are mediocre due to the differences between a tied warp strand and a looped warp strand. I own an Oregon Woodworker swift, the mounted versions of which are recommended as warping boards. I have been mentally running through how long of a warp I could construct with two sets of pegs, but I think I might have to measure. 

My hair has been shortened from the icon. (The icon is not me, despite the representative nature of my tendency to hold onto spare DPNs by putting them in my hair, up my sleeve, or through my sweater.) I am really cold without my insulating fur. Can someone recommend a style of hat that might compensate? I'm wearing a stretchy lace cowl today, but it scrunches up too much. Maybe I should dig out the turtlenecks instead?

Immediately after posting this, someone on my Rav friends list faved, the Lady Jessica Cowl (direct), Rav link. I happen to have 110 loops of 5 foot diameter handspun 3-ply worsted BFL (dyed by Lisa Souza) just waiting for this project. (Google's math says that is about 180 yards.) 

There has been very little progress on the Phantom Phonebooth socks, despite their presence right next to the remote control in front of the TV. 

I have not made any progress rebuilding the Halfaquin sweater that I frogged. There is time for all this, but I seem to allow it to be sucked down into flash games, sending random emails to friends, and cooking. But the cooking has been nice to have done. 

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